Q.The beauty of the glass bangles of Firozabad contrasts with the misery of people who produce them. This paradox is also found in some other situations, for example, those who work in gold and diamond mines, or carpet weaving factories, and the products of their labour, the lives of construction workers, and the buildings they build.
- Look around and find examples of such paradoxes.
- Write a paragraph of about 200 to 250 words on any one of them. You can start by making notes.
Here is an example of how one such paragraph may begin:
You never see the poor in this town. By day they toil, working cranes and earthmovers, squirreling deep into the hot sand to lay the foundations of chrome. By night they are banished to bleak labour camps at the outskirts of the city...
Here is an example of how one such paragraph may begin:
You never see the poor in this town. By day they toil, working cranes and earthmovers, squirreling deep into the hot sand to lay the foundations of chrome. By night they are banished to bleak labour camps at the outskirts of the city...
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Start your 14-day free trial to unlock the full solution →Pick a group whose labour produces beauty or wealth they never enjoy, and write 200–250 words on that paradox — here is a model on construction workers.
To do this activity, first make notes of paradoxes you can see: diamond and gold miners who stay poor, carpet weavers whose costly carpets adorn rich homes, tea-garden and cotton workers, or construction labourers who build luxury towers yet live in shacks. Choose one and, like Anees Jung, contrast the workers’ hard, deprived lives with the beauty or wealth their labour creates. Model paragraph:
You never see the poor in this town. By day they toil, working cranes and earthmovers, squirreling deep into the hot sand to lay the foundations of chrome. By night they are banished to bleak labour camps at the outskirts of the city. They raise glittering glass towers with swimming pools on their roofs, yet return to tin sheds without water or light. The men mix cement until their hands crack; the women carry bricks on their heads with babies asleep in a cloth cradle strung between two poles. The apartments they build will sell for crores, but the families who built them will never step inside — they will be moved on to the next site, chasing the next wage. Their children grow up on rubble instead of in classrooms, learning to balance a load before they learn to read. When the building is done and its wealthy owners move in to admire the marble and the view, n …
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