Physics · Ch 11 — Waves
Formation of Beats
Formation of Beats
When two sound waves of only very slightly different frequencies and (but comparable, equal amplitude) are superposed at a fixed point, the listener perceives not two separate steady tones but a single tone whose loudness itself rises and falls periodically over time -- this periodic throbbing or swelling-and-fading of loudness is called beats, and is a form of temporal (time-domain) interference, in contrast to the purely spatial (position-dependent) interference examined in the previous subsection. The number of loudness maxima heard per second, called the beat frequency, is simply the magnitude of the difference between the two source frequencies, . This result can be derived mathematically by superposing and (both taken with equal amplitude , at a fixed point ) using the sum-to-product trigonometric identity for sine functions; the resulting expression factors neatly into a slowly-varying amplitude envelope, , multiplying a rapidly-oscillating carrier tone at the average frequency, with . Because is much smaller than (the two source frequencies being only slightly different), the envelope term varies far more slowly in time than the carrier term does, and it is this slow rise and fall of the envelope -- not the underlying fast carrier oscillation -- that the ear registers and perceives as beats. Working through the times at which reaches successive maxima (where $\ …
What this figure shows. Two sinusoidal waves of very slightly different frequency are drawn superposed on the same time axis, and beneath them the combined resultant is drawn as a rapidly-oscillating carrier wave whose overall envelope (its outer boundary) itself swells and shrinks slowly and periodically, alternating between wide (loud) and narrow (quiet) sections labelled along the time axis. The figure gives the direct visual meaning of the phrase "beats": because the two component waves drift in and out of phase with each other over time (first reinforcing, then cancelling, then reinforcing again), the amplitude of their sum rises and falls in a slow, regular rhythm distinct from the fast oscillation of either individual wave, and it is this slow swelling-and-fading rhythm, not the fast underlying tone, that a listener perceives as the throbbing beat. …
Worked out. Two sound waves of wavelengths and both travel through the same gas at a common speed , and the task is to find the number of beats produced per second. Each wavelength gives its own frequency via : the shorter wavelength gives the higher frequency , and the longer wavelength gives the lower frequency . The beat frequency is then simply their difference, beats per second, directly applying the beat-frequency formula to two waves …
Worked out. Two vibrating tuning forks produce waves described by the equations and , and the task is to find the number of beats produced per second. Comparing each equation with the standard form lets the frequency be read directly off the coefficient of t: for the first wave, gives , and for the second, gives . The beat frequency is then beats per second, showing how the beat frequency can be extracted directly from two given wave equations without ever needing to kno …