Q.The author's grandmother was a religious person. What are the different ways in which we come to know this?

Narrative Perspective Bias: Seeing the World Through One Pair of Eyes

Imagine you're watching a movie where the camera never leaves the main character's shoulder. You see only what they see, hear only what they hear, and you're fed their private thoughts. When another character acts coldly, you feel the protagonist's hurt — but later you learn that character was distracted by a family emergency. Your entire understanding was shaped by being locked into one viewpoint.

That's the intuition behind narrative perspective bias.

The Core Idea

Narrative perspective bias is the systematic distortion in how a story or account is understood, caused by the fact that it is told from a single character's point of view. The narrator's knowledge, beliefs, emotions, and blind spots become the reader's or listener's default reality — unless we actively work to step outside it.

This isn't about lying or deliberate manipulation. It's about the unavoidable limits of any single vantage point. A first-person narrator cannot report what they didn't see, cannot feel what they didn't feel, and cannot know what they weren't told. The bias lies in what is missing — the information that would change the picture if we had it.

The Precise Statement

In simpler terms: the closer you stand to one person's story, the harder it is to see the whole truth.

Why It Matters

This bias operates everywhere — not just in novels. Consider:

• Eyewitness testimony: Two people watch the same accident. One was the driver, the other a pedestrian. Their accounts differ not because either is dishonest, but because each saw different things from their physical and emotional position.
• History written by victors: The winning side's narrative becomes the "official" record, not because losers' accounts are false, but because the winners' perspective is the one that gets written down and taught.
• Your own memory: When you recall an argument, you remember your own hurt and your own reasoning vividly. The other person's motives feel opaque or unreasonable — because you're stuck inside your own narrative.

How to Counter It

You can't eliminate this bias — every story has to come from somewhere. But you can reduce its effect by asking:

1. What information is the narrator missing? What scenes did they not witness?
2. What are the narrator's emotional stakes? How might their feelings colour what they notice and report?
3. How would this story look from another character's perspective? What would they emphasise that the current narrator omits?

The goal isn't to distrust every narrator. It's to remember that every account is a partial account — and that the part you're shown is never the whole.