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Q.Both the poems (one being 'My Mother at Sixty-six') delve into experiences of life. How do these poems bring out the internal conflict in each of the women? (My Mother at Sixty-six)

CBSECBSE Class XII Board 2025Subjective· 5mImportance★★★★★
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The poem 'My Mother at Sixty-six' reveals the daughter's profound internal conflict between her deep love and attachment to her aging mother and the painful, inevitable fear of separation and loss.

The poem 'My Mother at Sixty-six' beautifully captures a poignant moment in the life of a daughter as she confronts the stark reality of her mother's aging. The central internal conflict experienced by the woman (the poet/daughter) stems from her profound love and attachment to her mother, juxtaposed with the unsettling realization of her mother's mortality and the impending grief of separation.

The journey begins with a simple observation: the mother dozing beside her in the car, her face 'ashen like that of a corpse'. This visual immediately triggers a 'pain' and a 'familiar ache' in the daughter's heart. This isn't just a fleeting sadness; it's a deep-seated fear, a primal anxiety about losing someone so dear. The conflict here is between the daughter's desire for her mother to remain vibrant and eternal, and the undeniable evidence of time's relentless march.

To escape this distressing thought, the daughter consciously tries to 'put that thought away'. She shifts her gaze outside the car window, seeking distraction in the vibrant world passing by. She observes 'young trees sprinting' and 'merry children spilling out of their homes'. This deliberate act of looking away highlights her internal struggle: she is trying to deny the painful reality she just witnessed. The youthful energy and exuberance outside serve as a stark contrast to her mother's fading vitality, further intensifying her internal turmoil.

Note

The contrast between the 'dozing' mother and the 'sprinting' trees, or the 'ashen' face and 'merry children', is a key poetic device that underscores the daughter's internal conflict between life and decay, youth and old age.

Upon reaching the airport and after the security check, the daughter looks at her mother again. The image of her mother, 'wan, pale as a late winter's moon', brings back the 'familiar ache' – a fear she identifies as her 'childhood's fear'. This reveals the depth of her conflict: it's not a new fear, but one rooted in her earliest experiences of attachment and the inherent vulnerability of those bonds. The impending physical separation at the airport amplifies this emotional pain, making the abstract fear of loss feel immediate and real. …

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