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Q.Study the following statements regarding the identification of centres of craft production in Harappan culture : I. Archaeologists look for raw materials such as stone nodules, copper ore, shells, etc. II. They study the soil texture. III. They find unfinished objects, rejects and waste material. IV. They try to have chemical analysis of the soils. Which of the above are correct reasons for identifying centres of craft production ? (A) I and II (B) II and III (C) I and III (D) III and IV

CBSECBSE Class XII Board 2020MCQ· 1mImportance★★★★★
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Archaeologists identify craft production centres by finding raw materials and unfinished or discarded objects; soil texture and chemical analysis are not standard methods for this purpose.

To understand how archaeologists pinpoint where crafts were made in the Harappan civilisation, you have to think like a detective at an ancient workshop. The key is not just finding a finished bead or a pot — that could have been traded from anywhere. The real clues are the leftovers of the production process.

Statement I is correct because raw materials are the first sign of a craft centre. If you find stone nodules, copper ore, or marine shells in large quantities at a site, it strongly suggests that these materials were brought there to be worked on. For instance, at Chanhudaro, archaeologists found vast amounts of raw carnelian and steatite, pointing directly to bead-making. Without the raw ingredients, there is no craft production.

Statement III is equally crucial. Unfinished objects, rejects, and waste material are the unmistakable footprints of a workshop. A broken bead that cracked during drilling, a half-carved seal, or a pile of shell rings that were discarded — these are items that would never have been traded or used. They were abandoned right where the work happened. Finding such debris is the most reliable indicator that you are standing on an ancient factory floor. …

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