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Q.Read the source given below carefully and answer the questions that follow : In praise of taswir Abu’l Fazl held the art of painting in high esteem : Drawing the likeness of anything is called taswir. His Majesty from his earliest youth, has shown a great predilection for this art, and gives it every encouragement, as he looks upon it as a means both of study and amusement. A very large number of painters have been set to work. Each week, several supervisors and clerks of the imperial workshop submit before the emperor the work done by each artist, and His Majesty gives a reward and increases the monthly salaries of the artists according to the excellence displayed. ... Most excellent painters are now to be found, and masterpieces, worthy of a Bihzad, may be placed at the side of the wonderful works of the European painters who have attained worldwide fame. The minuteness in detail, the general finish and the boldness of execution now observed in pictures are incomparable; even inanimate objects look as if they have life. More than a hundred painters have become famous masters of the art. This is especially true of the Hindu artists. Their pictures surpass our conception of things. Few, indeed, in the whole world are found equal to them. (8.1) How did Mughal paintings exhibit decorative elements ?

(1) (8.2) How did Abu’l-Fazl credit Bihzad and the works of the Europeans ?
(1) (8.3) How does this source reflect the personal inclination of the Emperor towards the paintings ? (2)
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Abu'l Fazl's account reveals Akbar's deep personal patronage of painting through systematic encouragement, financial rewards, and the elevation of both Persian and Hindu artists to create works rivaling European masters.

This passage from the Akbarnama is a primary source documenting the Mughal court's attitude toward visual art under Akbar. Abu'l Fazl, Akbar's court chronicler and ideologue, is not merely describing paintings but articulating a philosophy: taswir (image-making) serves both intellectual inquiry ("study") and aesthetic pleasure ("amusement"). The passage shows how imperial patronage transformed painting from a craft into a celebrated art form, and how Akbar's personal taste shaped an entire artistic culture.


8.1 How did Mughal paintings exhibit decorative elements? …

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