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History · Ch 8 — Peasants, Zamindars and the State — Agrarian Society and the Mughal Empire

The Ain-i Akbari of Abu’l Fazl Allami

8

The Ain-i Akbari of Abu’l Fazl Allami

The Ain-i Akbari is the third and final book of the Akbar Nama, the official history of Akbar’s reign commissioned by the emperor himself. While the first two books of the Akbar Nama are a historical narrative (which you will study in Chapter 9), the Ain-i Akbari is something entirely different: a detailed compendium of imperial regulations and a gazetteer of the empire. Completed in 1598 — the forty-second year of Akbar’s reign — it went through five revisions before Abu’l Fazl considered it finished.

The Ain is organised into five books, called daftars. The first three deal with administration. The first book, manzil-abadi, covers the imperial household and its maintenance. The second, sipah-abadi, covers the military and civil administration, including short biographical sketches of imperial officials (mansabdars), learned men, poets, and artists. The third book, mulk-abadi, is the most important for understanding agrarian society. It deals with the fiscal side of the empire and provides rich quantitative information on revenue rates. This is followed by the “Account of the Twelve Provinces” (subas).

The mulk-abadi section gives a detailed, highly complex view of agrarian society in northern India. For each suba, it provides geographic, topographic, and economic profiles, along with total measured area and assessed revenue (jama). It then breaks down each suba into its sarkars (administrative divisions below the suba), and presents information in tables with eight columns:

  1. Parganat / mahal (the revenue unit)
  2. Qila (forts)
  3. Arazi and zamin-i paimuda (measured area)
  4. Naqdi (revenue assessed in cash)
  5. Suyurghal (grants of revenue in charity)
  6. Zamindars
  7. Caste of these zamindars
  8. Their troops: horsemen (sawar), foot-soldiers (piyada), and elephants (fil)

The fourth and fifth daftars deal with the religious, literary, and cultural traditions of the people of India, and also contain a collection of Akbar’s “auspicious sayings”.

Note

The Ain is a view of the regions from the centre — a view of society from its apex. It was an imperial exercise to inform the emperor about the varied customs and practices across his territories.

How Abu’l Fazl collected his information

Abu’l Fazl describes his method in detail. He interrogated servants of the state and old members of the imperial family. Royal commands were issued to the provinces asking those who remembered past events to copy out their notes and send them to court. The collected materials were then recited in the royal hearing, and any additions were inserted later. He obtained the chronicle of events from the Record Office, established in the nineteenth year of Akbar’s reign. He also procured copies of orders issued to the provinces from the Accession onward, and incorporated reports submitted by ministers and high officials. He collected rough notes and memoranda from sagacious and well-informed men. In short, he built a “reservoir” of information from multiple sources — oral testimonies, official records, provincial reports, and private notes.

Authenticity and limitations

The Ain was not a mere reproduction of official papers. It was revised five times, suggesting a high degree of caution. Oral testimonies were cross-checked and verified before being accepted as facts. In the quantitative sections, all numeric data were reproduced in words to minimise the chances of transcriptional errors.

However, historians have pointed out several problems. Numerous errors in totalling have been detected, ascribed to simple slips of arithmetic or transcription by Abu’l Fazl’s assistants. These are generally minor and do not detract from the overall quantitative veracity of the manual.

A more significant limitation is the skewed nature of the quantitative data. Data were not collected uniformly from all provinces. For instance, detailed information about the caste composition of zamindars is available for many subas but not for Bengal and Orissa. Further, while fiscal data from the subas is remarkably rich, equally vital parameters such as prices and wages from these same areas are not as well documented. The detailed list of prices and wages that the Ain does provide is mainly derived from data pertaining to areas in or around the imperial capital of Agra, and is therefore of limited relevance for the rest of the country.

Why the Ain is extraordinary …

Source 9“Moistening the rose garden of fortune”

Source 9 — "Moistening the rose garden of fortune". Abu'l Fazl gives a vivid account of how, and from whom, he collected his information for the Akbar Nama:

… this sublime mandate was given: "Write with the pen of sincerity the account of the glorious events … " Assuredly, I spent much labour and research in collecting the records and narratives of His Majesty's actions … I examined both prudent, truth-speaking old men and active-minded, right-actioned young ones and reduced their statements to writing. The Royal commands were issued to the provinces, that those who from old service remembered … the events of the past, should copy out the notes and memoranda and transmit them to the court … I obtained the chronicle of events beginning at the Nineteenth Year of the Divine Era, when the Record Office was established … By these means, I constructed a reservoir for irrigating and moistening the rose garden of fortune (the Akbar Nama). …

DefinitionTranslating the Ain

Translating the Ain. Given the importance of the Ain, it has been translated for use by a number of scholars. Henry Blochmann edited it and the Asiatic Society of Bengal, Calcutta (present-day Kolkata), published it in its Bibliotheca Indica series. The book has also been translated into English in three volumes: the standard translation of Volume 1 is that of Henry Blochmann (Calcutta, 1873), and the ot …

Figure 8.14Abu’l Fazl presenting the manuscript of the completed Akbar Nama to his patron

Figure 8.14 is a Mughal miniature painting that shows the moment Abu’l Fazl presents the completed manuscript of the Akbar Nama to Emperor Akbar. The scene is set in an imperial court, likely within the royal palace or a formal audience hall. Akbar is seated on a throne, elevated and central, receiving the book. Abu’l Fazl stands before him, holding the bound manuscript — the Akbar Nama — which he is offering to his patron. The painting includes attendants and courtiers arranged around the emperor, some standing, some seated, all watching the presentation. The manuscript itself is depicted as a thick, bound volume, often shown with a decorated cover. The composition emphasises the act of offering and receiving: Abu’l Fazl’s posture is respectful, his hands extending the book toward Akbar, who reaches out or gestures to accept it. The background may include architectural details like arches, pillars, or a niche, and the figures are dressed in fine Mughal court attire — turbans, robes, and jewellery. The painting is a visual record of the relationship between the chronicler and his emperor: Abu’l Fazl, the scholar-official, presents the fruit of years of labour — the history of Akbar’s reign — directly to the ruler who commissioned it. This image reinforces the idea that the Akbar Nama was not an independent work but an official, patronised project, shaped by the emperor’s authority and the chronicler’s loyalty. It also illustrates the Mughal court’s culture of ma …

Figure 8.16A painting depicting a woman selling sweets

Figure 8.16 is a Mughal miniature painting that shows a woman seated on the ground, selling sweets from a large, shallow basket placed in front of her. The basket is piled high with small, round sweets, likely laddoos or similar confections. The woman is dressed in a simple, long garment and a head covering, typical of everyday attire for women of modest means in Mughal India. She appears to be in a marketplace or along a street, indicated by the open setting and the presence of a customer — a man standing before her, reaching out or pointing toward the sweets, suggesting a transaction in progress.

The painting is not a grand court scene or a depiction of a battle; it is a quiet, ordinary moment of daily commerce. This is exactly what makes it valuable for historians. The Mughal period produced many such paintings that recorded not just the lives of emperors and nobles, but also the activities of common people — vendors, artisans, farmers, and labourers. These images serve as visual evidence of the economic life that the Ain-i Akbari describes in numbers and categories. …

Timeline 1Landmarks in the History of the Mughal Empire

Timeline — Landmarks in the History of the Mughal Empire.

YearEvent
1526Babur defeats Ibrahim Lodi, the Delhi Sultan, at Panipat; becomes the first Mughal emperor
1530–40First phase of Humayun's reign
1540–55Humayun defeated by Sher Shah; in exile at the Safavid court
1555–56Humayun regains lost territories
1556–1605Reign of Akbar
1605–27Reign of Jahangir
1628–58Reign of Shah Jahan
1658–1707Reign of Aurangzeb
1739Nadir Shah invades India and sacks Delhi
1761Ahmad Shah Abdali defeats the Marathas in the third battle of Panipat