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Additional Practice · Q11

Q.How does Keats connect beauty in nature with beauty in art and the lovely tales of the past? (Answer in 120–150 words.)

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Keats treats natural beauty, the imagined grandeur of the heroic dead, and the lovely tales we read as one continuous, never-ending source of joy — 'an endless fountain of immortal drink.'

Keats begins by naming the beauty of the natural world — 'the sun, the moon,' 'Trees old, and young, sprouting a shady boon / For simple sheep,' 'daffodils,' 'clear rills,' and 'the mid forest brake, / Rich with a sprinkling of fair musk-rose blooms.' These are immediate, tangible beauties that refresh us.

Without any break, he then adds beauty that is imaginative and human — 'And such too is the grandeur of the dooms / We have imagined for the mighty dead,' and 'All lovely tales that we have heard or read.' The words 'such too' and 'and such' are the hinge of the connection: they place this imagined glory of great departed heroes and these beautiful stories on exactly the same footing as the sun, the trees or a stream. …

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