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Physics · Ch 6 — Superposition of Waves

Practical Determination of End Correction

6.7.4

Practical Determination of End Correction

The end correction e introduced in 6.7.1 can itself be measured experimentally, without needing to know the value of vv (the speed of sound) in advance, by comparing TWO pipes of the SAME diameter but different physical lengths l1l_1 and l2l_2, and measuring their two fundamental frequencies n1n_1 and n2n_2.

For a pipe open at both ends, Eq. (6.22)/(6.23) gives v=2n1L1=2n2L2v=2n_1L_1=2n_2L_2, i.e. n1L1=n2L2n_1L_1=n_2L_2; substituting L1=l1+2eL_1=l_1+2e and L2=l2+2eL_2=l_2+2e and solving for e gives e=n1l1−n2l2n2−n1e=\dfrac{n_1l_1-n_2l_2}{n_2-n_1} (Eq. 6.29).

For a pipe closed at one end, Eq. (6.15)/(6.16) similarly gives v=4n1L1=4n2L2v=4n_1L_1=4n_2L_2, i.e. n1L1=n2L2n_1L_1=n_2L_2 again; substituting L1=l1+eL_1=l_1+e and L2=l2+eL_2=l_2+e gives the SAME algebraic form, e=n1l1−n2l2n2−n1e=\dfrac{n_1l_1-n_2l_2}{n_2-n_1} (Eq. 6.30) -- the closed-pipe and open-pipe formulas for e work out identical in form, even though the underlying relation between L and l differs (l+e versus l+2e) in each case. …

Misc Activity (resonance tube)Activity: locating resonance in a water-adjustable air column, and detecting beats between two tuning forks

Worked out. A hands-on two-part activity, not a solved numerical. Part 1: a glass tube, open at both ends, is clamped with one end dipping into a cylinder of water; sliding the tube up/down at the clamp changes the length of the AIR column trapped above the water surface (the water surface itself effectively acts like a closed end for this air column, since it is far denser than air, so this exact set-up is really a pipe 'closed' at the water end and open at the top -- this is the classic resonance-tube apparatus). Holding a vibrating tuning fork of frequency 488 Hz or 512 Hz just above the open top and adjusting the water level, the student notes the particular air-column height(s) at which the sound becomes distinctly LOUDER (resonance, when the air column's own natural frequency for that length matches the fork). Part 2: using a second, identical-frequency tuning fork sounded together with the first, the student listens for BEATS -- normally none should be heard if both forks are truly identical, but usage wears forks unevenly so beats are often heard in practice; winding a thread around one fork's tine deliberately lowers its frequency slightly, letting the student hear and study how the beat rate …